null Skip to main content

Saramonic Vmic Stereo Mark II Camera-Mount Stereo Condenser Microphone

Saramonic

$199.99
(No reviews yet) Write a Review
SKU:
SARVMIC-STEREOMKII
Adding to cart… The item has been added

Designed to help vloggers, content creators, mobile journalists, and run-and-gun videographers achieve realistic, immersive stereo audio capture for their video shoots, the compact and lightweight Saramonic Vmic Stereo Mark II camera-mount stereo condenser microphone combines dual cardioid capsules in an X/Y array, onboard controls for level and tone adjustments, and convenient headphone monitoring. Its integrated shockmount allows easy mounting on a camera shoe or tripod while inhibiting vibrations and handling noise, and a coiled TRS cable is supplied for orderly wiring between the mic and your camera or portable recorder.

By operating on AA batteries (available separately), the Vmic Stereo Mark II is able to work with cameras that don't supply plug-in power or phantom power. Plus, you can just swap batteries and skip the time needed to recharge internal batteries. The rear of the mic features onboard controls for the 3-stage gain adjustment, high-pass filter, and treble boost—helpful functions that let you optimize the signal quality at the mic instead of during postproduction. The mic comes with a foam windscreen, which reduces noise from mild breezes, fans, and more.

 

Accurate Stereo Capture

The Vmic Stereo Mark II delivers realistic, full-frequency, broadcast-quality stereo sound to DSLRs, mirrorless cameras, video cameras, recorders, and more. Ideal for capturing musical performances, ambient sounds of nature, events, interior spaces, and any environment where you want to immerse your audience in a place.

It features two high-quality cardioid capsules in a stereo X/Y configuration to allow the mic to reproduce a true stereo image in a compact camera-mount form. It also features ultralow noise electronics and versatile features that make it easy to optimize your sound for any scenario.

 

High-Quality Sound and Enhanced Control

The Vmic Stereo Mark II features an array of selectable audio controls allowing users to tailor the mic's sound and performance to always get optimum sound. It features a gain control with three positions—the +20 dB boost is for achieving ultraclean gain on cameras with noisy preamps, the 0 dB setting is for use with high-quality preamps, and -10 dB pad allows clean capture of loud sounds without distortion.

A 150 Hz high-pass filter eliminates low-frequency noise and rumble caused by HVAC systems, wind, or footsteps that can ruin a recording. A +6 dB high-frequency boost enhances vocal intelligibility and compensates for lost frequencies when using a furry windscreen, like the VMIC-WS-S (available separately). All the controls are easy to use and easy to see, even in low-light conditions.

 

Rugged and Adaptable

Built with durable metal construction, the Vmic Stereo Mark II will handily survive the demanding world of video production. An impressively robust and virtually indestructible integrated shockmount isolates it from unwanted vibration noise and includes a camera-shoe mount with metal 1/4"-20 thread, allowing you to mount it to cameras, boompoles, stands, camera cages, and tripods with ease.

 

Headphone Monitoring and Expanded Connectivity

A built-in headphone output on the Vmic Stereo Mark II enables you to hear your sound, even when your camera lacks a headphone jack. Use the included short, coiled output cable to connect the main 3.5mm output jack to your camera, mixer, or recorder. Since the cable is removable, it allows use of other 3.5mm TRS output cables (available separately) in its place. Attach a longer cable for use on a boompole, use a 3.5mm to Lightning cable (Saramonic LC-C35) to connect to iPhones and iPads, or a 3.5mm to USB Type-C cable (Saramonic UTC-C35) to connect to Android smartphones, tablets, and computers.

 

Battery Power

The Vmic Stereo Mark II runs on two AA batteries (available separately), so your camera or recording device doesn't need to supply plug-in power or phantom power.
Microphone Form Factor Camera-Mount Sound Field Stereo Stereo/Surround Configuration X/Y Operating Principle Pressure Gradient Capsule 2 x Condenser Polar Pattern Cardioid Orientation End Address Circuitry Solid-State Pad None High-Pass Filter 150 Hz Tone Adjustment High Boost: +6 dB Gain Adjustment -10 to +20 dB Indicators 1 x Red/Green Single LED (Battery, Power) 5 x Green Single LED (Status) On-Board Controls Gain, High-Pass Filter, HF, On/Off Windscreen Foam (Included) Performance Frequency Range 75 Hz to 20 kHz Impedance 200 Ohms Sensitivity -42 dBV/Pa at 1 kHz Signal-to-Noise Ratio 82 dB Connectivity Output Connectors (Analog) 1 x 1/8" / 3.5 mm TRS Female (on Mic) 1 x 1/8" / 3.5 mm TRS Male (on Detachable Cable) Headphone Connector 1 x 1/8" / 3.5 mm Cable Length 6 to 30" / 15.2 to 76.2 cm (Coiled) Power Operating Voltage 3 V (Battery Power) Battery Type 2 x AA Physical Mounting 1/4"-20 Female, Camera-Mount, Shockmount (via Integrated Hardware) Construction Material Metal Dimensions H: 4.56 x W: 3.54 x L: 6.81" / H: 11.58 x W: 8.99 x L: 17.3 cm Weight 8.9 oz / 252 g