SUMMARY
The Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit is a sound reinforcement solution that provides a comfortable mixing environment with 24 analog inputs, 12 analog outputs, and a stereo digital output (AES/EBU), and is bundled with a digital snake with 24-bit/96 kHz audio quality. It can be used for several applications such as bands, corporate A/V events, seminars, rental and staging houses, houses of worship, broadcasters, and more.
The M200i features 17 motorized faders and combines with an iPad (sold separately) that functions as a large touch screen display. All input channels are equipped with two dynamics processors and a 4-band parametric EQ and the Main/8 Aux/4 Matrix output buses are all built with a compressor, 4-band parametric EQ, limiter, and delay. It is ready to go straight out-of-the box.
In addition, the S-1608 digital snake system is easy to use and quick to install and offers 16 input x 8 output configuration. It is a compact floor-based or rack-mountable design and has remote controllable preamps using an S-4000R remote unit (sold separately) or free Windows/Mac RCS software. Furthermore, by using Cat5E cable instead of multi-core copper cables, it is immune to the "hums and buzzes" caused by ground issues and the high frequency losses inherent in analog snakes.
Roland M-200i 32-Channel Live Digital V-Mixer Console
The M-200i 32-Channel Live Digital Mixing Console from Roland is a V-Mixer with 24 analog inputs, 12 analog outputs, and stereo digital output (AES/EBU), all built-in to the main unit and it is ready to perform out of the box. It can be used in sound reinforcement applications such as rehearsals, live stage, theater, houses of worship, and more. The basics of any mix starts with good channel processing and all input channels are equipped with two dynamics processors and 4-band parametric equalizers. The Main, 8 Aux, and 4 Matrix output busses are also equipped with a compressor, 4-band parametric EQ, limiter, and delay. The M-200i features 17 motorized faders, dedicated buttons and knobs for key functions, and can interface with an iPad (sold separately) as a large touch screen display. Use the iPad for intuitive control of effects and other graphical manipulation, while physically controlling the volume with the motorized faders.
In addition, the M-200i incorporates a built-in REAC port that allows you to expand using any other device from the REAC family including Personal Mixers and/or Multi-channel Recorder/Player technology (sold separately).
Roland S-1608 16x8 Stage Unit Digital Snake System
The S-1608 16x8 Stage Unit Digital Snake System from Roland is a small format audio snake solution that offers 24-bit/96 kHz audio quality. It can be used in applications for bands, corporate A/V events, seminars, rental and staging houses, and broadcasters who need the best possible sound quality from their audio without the high frequency losses and bulk of an analog snake. The S-1608 features 16-XLR microphone preamps with 48V phantom power and 8 XLR outputs. There is one digital output connector, an REAC (Roland Ethernet Audio Communication) output connector, an RS-232C, and DB-9 output connectors built into the unit.
Connections to the microphone preamps are made on stage where it is controlled using the S-4000R (sold separately), or the free PC/Mac RCS software. The audio is then amplified and converted at the closest point to the sound source and sent using Cat5e cables to the front of house mixer instead of using large multi-core copper cables. As a result, the S-1608 Digital Snake system is immune to the hums and buzzes caused by electrical noises inherent in analog snakes.
HIGHLIGHTS
32-Channel Digital Mixer
S-1608 Digital Snake
24-Bit/96 kHz Audio Quality
Remote Controllable with or without iPad
Mixer with 17 Motorized Faders
REAC Low-Latency Digital Transmission
Multi-Channel Recording
Compact Floor-Based or Rack Design
SPECIFICATIONS
Channels: 32
Buses: Main L/R
8 Aux
4 Matrix
Inputs/Outputs: Inputs: 24 (64 when using optional REAC devices)
Outputs: 14 (Max 54 ports when using REAC Devices)
Signal Processing: AD/DA Conversion: 24-bit
Sample Rate: 48 kHz or 44.1 kHz
Console Latency: Console: 2.0 ms (typ.)
Sample Rate: 48 kHz
Effects: No insert effects
Total Latency of audio signal from M-200i's console inputs to M-200i's outputs.
Network Latency: 2.5 ms (typ.)
Sample Rate: 48 kHz
Effects: No insert effects
Total System Latency of audio signal from S-1608 inputs to outputs via M-200i's REAC ports.
Input/Output: Input Jacks (1 to 16): XLR-3-31 type (balanced, phantom power)
Input Jacks (17 to 22): 1/4" (6.3 mm) phone jack type (balanced)
Input Jacks (23 to 24): RCA phone type
Assignable Output Jacks (1 to 6): XLR-3-32 type (balanced)
Assignable Output Jacks (7 to 10): 1/4" (6.3 mm) phone jack type (balanced)
Main Output Jacks (L,R): XLR-3-32 type (balanced)
Headphones Jack: Stereo 1/4: (6.3 mm) phone type, 1/8" (3.5 mm) mini-jack type
AES/EBU Out Jacks: XLR-3-32 type (110 ohms balanced)
REAC port: RJ-45 EtherCon type
RS-232C Connector: 9-pin D-sub type
MIDI Connectors (Out/Thru, In): 5-pin DIN type
USB Memory Port: USB type A
USB WLAN Adapter Port: USB type A
USB Computer Port: USB type B
Lan Port: RJ45 type
DOC Cable Port: 10-pin mini DIN type
DOC Cable Port: 10-pin mini DIN type DC In jack
Grounding Terminal: XLR type: 1 GND, 2 HOT, 3: Cold
Phantom power: DC+48V (unloaded maximum), 14 mA (maximum load, All XLR type inputs)
Frequency Response: Assignable Output Jacks (1 to 10): -2 dB/+0 dB (20 kOhms load, +4 dBu, typ.)
Main Output Jacks (L, R): -2 dB / +0 dB (20 kOhms load, +4 dBu, typ.)
Phones Jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.)
Sample Rate: 48 kHz or 44.1 kHz
Input Connector: Input 1 to 24 (Pad: ON, Input Sens: +4 dBu, 20 Hz to 20 kHz
Total Harmonic Distortion (THD) + N: Assignable Output Jacks (1 to 10): 0.05 % (+4 dBu, typ.)
Main Output Jacks (L, R): 0.05 % (+4 dBu, typ.)
Phones Jack: 0.05 % (40 ohms load, 150 mW, typ.)
Sample Rate: 48 kHz or 44.1 kHz
Input Connector: Input 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)
Dynamic Range: Assignable Output Jacks (1 to 10): 102 dB (typ.)
Main Output Jacks (L, R): 102 dB (typ.)
Sample Rate: 48 kHz or 44.1 kHz
Input Connector: Input 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)
Crosstalk @ 1 kHz: Input Jacks (1 to 24): -80 dB (Input sens: +4 dBu, IHF-A, typ.)
Assignable Output Jacks (1 to 10): -88 dB (typ.)
Main Output Jacks (L, R): -88 dB (typ.)
Sample Rate: 48 Khz or 44.1 kHz
Nominal Input Level: Variable:
Input Jacks (1 to 16): -65 to +4 dBu
Input Jacks (17 to 24): -28 to +4 dBu
Input Impedance: Input Jacks (1 to 16): 14 kOhms
Input Jacks (17 to 24): 10 kOhms
Maximum Input Level: Non Clip: Input Jacks (1 to 24 +22 dBu (1 kHz, 20 kOhms load, typ.)
Nominal Output Level: Assignable Output Jacks (1 to 10): +4 dBu (Load impedance: 10 kOhms, typ.)
Main Output Jacks (L, R): +4 dBu (Load impedance: 10 kOhms, typ.)
Output Impedance Assignable Output Jacks (1 to 10): 600 ohms (typ.) Main Output Jacks (L, R): 600 ohms (typ.)
Headphone jack: 49 ohms (typ.)
Minimum Load Impedance Phones Jack: 16 ohms
Maximum Output Level: Non Clip:
Assignable Output Jacks (1 to 10): +22 dBu (1 kHz, 10 kOhms load, typ.)
Main Output Jacks (1 to 10): +22 dBu (1 kHz, 10 kOhms load, typ.)
Headphones Jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)
Residual Noise Level (IHF-A, typ.) -88 dBu (All faders: Min)
-80 dBu (Main Fader: Unity, Channel faders: Unity only one Input 1 channel, Preamp sens: Min)
-61 dBu (Main Fader: Unity, Channel faders: Unity only one Input 1 channel, Preamp sens: Max)
Input 150 ohms terminate
Output Connector: Assignable Output Jacks (1 to 10), Main Output Jacks (L, R)
Sample Rate: 48 kHz or 44.1 kHz
Equivalent Input Noise Level: -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp sens: Max)
Output Connector: Assignable Output Jacks (1 to 10), Main Output Jacks (L, R)
Sample Rate: 48 kHz or 44.1 kHz
Display Graphic LCD 132 x 64 dots with backlight
Current Draw: 3.6 A
Operation Temperature: 32 to 104°F (5 to 40°C)
Dimensions (W x D x H): 19.3 x 19.3 x 7.8" (49 x 49 x 20 cm)
Weight: 22 lb (9.8 kg)
Roland S-1608 16x8 Stage Unit Digital Snake System
Number of Channels: 16 in 8 out
AD/DA Conversion: 24-Bit/96 kHz
Frequency Response: -2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz)
Total Harmonic Distortion (THD) + N: 0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 Hz to 20 kHz)
Dynamic Range: 110 dB
Cross Talk: -80 dB or less (Input Gain: +4 dBu, typ.)
Nominal Input Level: 65 to -10 dBu
PAD Off: -45 to +10 dBu
PAD On: 1 dB step, Max. +28 dBu)
Pad: 20 dB On/Off
Input Impedance: 14 kOhms
Nominal Output Level: +4 dBu, max. +22 dBu
Output Impedance: 600 ohms
Recommended Load Impedance: 10 kOhms or greater
Residual Noise: IHF-A, Typ: -80 dBu or less
Equivalent Input Noise: -128 dB
Network Latency: 375 ms when using REAC cable only (AD > REAC > DA Latency: approx 1.2 ms)
Input Connectors: Analog: 16x XLR type, balanced, phantom power
Output Connectors Analog: 8x XLR type, balanced
Digital Output Connector: 1 (optical type)
REAC Connector: 1 RJ-45 EtherCon type
Remote Connector: RS-232C, DB-9 type
Indicators: 1x Power , 1x REAC , 1x Remote , 1x Mute all outputs indicator
Power Supply: AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Power Consumption: 45 W
Phantom Power: +48 V / 14 mA (each input, remote controlled)
Operation Temperature: 32 to 104°F (0 to 40°C)
Dimensions (W x D x H): 15.8 x 5.31 x 6.97" (401 x 135 x 177 mm)
Weight: 12.1 lb (5.5 kg)
